"Black Circle" Transit DSGA

By Tom R. Chambers | Jul 10, 2025
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"Black Circle" Transit DSGA


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Tom R. Chambers' presents a fascinating intersection of art history, geometric abstraction, and scientific inspiration. By merging Kazimir Malevich's iconic "Black Circle" with his own "Digital Suprematism - Geometric Abstraction" (DSGA) pieces, Chambers crafts compelling visual metaphors for astronomical transits. These works aren't just aesthetically pleasing; they represent a thoughtful dialogue between artistic vision and scientific understanding.


The concept is simple yet profound: Chambers reimagines the "Black Circle" as a celestial body, meticulously transiting across the face of his DSGA compositions, which are rounded to evoke the image of a much larger body. This literal translation of a Cosmic event through abstract art is both novel and intellectually stimulating.


What elevates this work is the historical context and personal connection. Chambers' background in the Space Sciences, particularly his involvement with Project Apollo, provides a unique lens through which he interprets and expands upon Malevich's artistic philosophy. Knowing that Malevich himself was captivated by Space and humanity's potential for Cosmic exploration adds another layer of depth to the pieces. The idea of Malevich carrying a telescope in his pocket paints a picture of an artist simultaneously grounded in the everyday and yearning for the infinite.


Chambers effectively leverages this connection, simulating "Black Circle" as a real celestial body. This isn't simply a visual exercise; it's a commentary on Malevich's own use of astronomical terminology to reinforce his belief in universal laws governing artistic creation. He, in a sense, is realizing Malevich's aspirations by grounding his abstract forms in the concrete reality of astronomical phenomena. The "Black Circle" Transit DSGA series successfully marries art and science. It offers a fresh perspective on both Malevich's legacy and the potential for abstract art to engage with scientific concepts.


The pieces are visually striking, conceptually rich, and undeniably thought-provoking, making them a valuable contribution to the ongoing conversation about the relationship between art, science, and the cosmos. While the impact might be more subtle for viewers unfamiliar with Malevich's work or the concept of astronomical transits, the underlying

theme of exploration and the interplay of geometric forms remain engaging and ultimately rewarding.