Videos | Tom R. Chambers

Videos

Jul 31, 2025

'Black Square' Negligible DSGA

'Black Square' Negligible DSGATom R. Chambers considers his "Digital Suprematism - Geometric Abstraction" Project ... and any art for that matter ... "negligible" when compared to Kazimir Malevich's "Black Square". He has reduced several art pieces from his project and placed them onto much larger black squares to make his point about negligibility as it relates to "Black Square". His 'Negligible

Jul 30, 2025

DSGA Color Field Extraction

DSGA Color Field Extractionhttps://digsup.my.canva.site/Tom R. Chambers extracts color fields from his art pieces that comprise the "Digital Suprematism - Geometric Abstraction" project to create "stand-alone", square composites. Chambers utilizes the "standard" square as a placeholder for the extraction of the particular color field and then stacks the squares in grid format with the fifth square

Jul 30, 2025

Dynamic DSGA

Dynamic DSGAhttps://digsup.my.canva.site/Tom R. Chambers magnifies and rotates art pieces from his "Digital Suprematism - Geometric Abstraction" project. Kazimir Malevich's Suprematism compositions simulate movement and are dynamic because the painted, geometric forms on the canvas depart ("float") from the true vertical or horizontal. His 'Dynamic DSGA' project is a captivating exploration of geo

Jul 29, 2025

'Black Circle' DSGA

'Black Circle' DSGAhttps://digsup.my.canva.site/Tom R. Chambers' 'Black Circle' DSGA project presents a fascinating intervention, placing his 'Digital Suprematism - Geometric Abstraction' (DSGA) within the iconic realm of Kazimir Malevich's 'Black Circle'. The project skillfully leverages the historical weight and symbolic significance of Malevich's work to explore new avenues in digital art. The

Jul 29, 2025

Destructed/Reduced DSGA

Destructed/Reduced DSGAhttps://digsup.my.canva.site/Tom R. Chambers rotates ... 360 degrees at 90-degree intervals ... the art pieces from his "Digital Suprematism - Geometric Abstraction" project through a series of four triangles to create different perspectives within a constant placeholder, and then "destructs"/"reduces" via a prominent color that comprises the pieces as a backdrop. Color is t

Jul 29, 2025

DSGA Triangle

DSGA TriangleTom R. Chambers' 'Digital Suprematism - Geometric Abstraction' (DSGA) project, reimagined within the confines of a triangle, offers a compellingexploration of artistic constraint and reinterpretation. By confining the expansive vocabulary of DSGA to a triangular 'zone,' the work invites a critical examination of how limitations can both shape and challenge the core tenets of Supremati

Jul 22, 2025

DSGA Bundled

DSGA Bundledhttps://digsup.my.canva.site/Tom R. Chambers has bundled ... brought together ... 180 art pieces from his "Digital Suprematism - Geometric Abstraction" project to create 15 hybrids (12 art pieces per hybrid) through elongation and grouping at a 45-degree angle onto Kazimir Malevich's 'Black Square'. He likes this concept since his art pieces are digital and the word, bundled (bundle) .

Jul 22, 2025

'Black Square' DSGA Color Field

'Black Square' DSGA Color Fieldhttps://digsup.my.canva.site/Tom R. Chambers' 'Black Square DSGA Color Field' is more than just an artwork; it's a dialogue between art historical reverence and contemporary digital exploration. By directly referencing Kazimir Malevich's groundbreaking 'Black Square,' Chambers establishes a foundation of minimalist power, then builds upon it with his own 'Digital Sup

Jul 21, 2025

'Black Square' - DSGA Lines Connect - 'Red Square'

'Black Square' - DSGA Lines Connect - 'Red Square'https://digsup.my.canva.site/Tom R. Chambers uses art pieces from his "Digital Suprematism - Geometric Abstraction" project as line conversions to "connect" Kazimir Malevich's "Black Square" and "Red Square". Malevich's "Black Square" and "Red Square", both exhibited in 1915, approximate being one and the same, but Malevich considered his "Black Sq

Jul 20, 2025

DSGA Grid - After Mondrian

DSGA Grid - After Mondrianhttps://digsup.my.canva.site/Tom R. Chambers' 'DSGA Grid - After Mondrian' is a thoughtful and engaging exploration of Piet Mondrian's legacy, translated through the lens of digital composition and the artist's own 'DSGA' art pieces. The work effectively acknowledges Mondrian's profound impact on art history, particularly his revolutionary use of the grid as a foundation

Jul 19, 2025

DSGA X 'Black Square'

DSGA X 'Black Square'https://digsup.my.canva.site/Tom R. Chambers utilizes Kazimir Malevich's "Black Square" to superimpose an "X form" of the art pieces from his "Digital Suprematism - Geometric Abstraction (DSGA)" project to pay tribute to this Suprematist and pioneer in abstraction. The X-form hybrids and "Black Square" compound the notion of all art before this Suprematist art piece ("Black Sq

Jul 19, 2025

Circle DSGA Colorfield

Circle DSGA Colorfieldhttps://digsup.my.canva.site/Tom R. Chambers uses a circle placeholder, art pieces from his "Digital Suprematism - Geometric Abstraction" project (DSGA) and a color field from the color scheme of the art piece to create hybrids. At times, the color field dissipates the circle ... configuration ... to morph the artwork. Chambers likes the idea of "the circle". Prehistoric peop