Circle DSGA Colorfield
Tom R. Chambers uses a circle placeholder, art pieces from his "Digital Suprematism - Geometric Abstraction" project (DSGA) and a color field from the color scheme of the art piece to create hybrids. At times, the color field dissipates the circle ... configuration ... to morph the artwork. Chambers likes the idea of "the circle". Prehistoric people made stone circles and timber circles, and circular elements are common in petroglyphs and cave paintings.
The circle is/has been used to signify many sacred and spiritual concepts, including unity, infinity, wholeness, the universe, divinity, balance, stability and perfection, among others. Such concepts have been conveyed in cultures worldwide through the use of symbols. He also likes the fact that the color field shift in the art pieces ... for some ... breaks the wholeness, balance, stability and perfection of "the circle".
"Circle DSGA Colorfield" immerses the viewer in a world of vibrant abstraction, where geometry and color come together in striking digital compositions. The artworks feature a bold circular design set against luminous, colored backdrops. Within the circle, gentle gradients of color create a captivating and pixelated effect, drawing the eye inwards. Inspired by the minimalist aesthetics of Kazimir Malevich's Suprematism, the artworks reimagine the relationship between form and color in a distinctly modern context.
The use of digital media infuses the piece with a contemporary edge, allowing for precise control over the interplay of colors and shapes. The process involved a unique technique where the backdrop incorporates one of the piece’s colors, generating an intriguing fusion and dissipation that adds complexity to the composition. The artworks invite viewers to explore their abstract landscapes, offering a visual experience that is both dynamic and contemplative. The work is a testament to the power of minimalism and color to evoke emotion and thought, encouraging viewers to engage with its visual narrative on multiple levels.