DSGA 'Black Square' Bleed-through
Tom R. Chambers' DSGA 'Black Square' Bleed-through hybrid project offers a compelling and visually intriguing exploration of Kazimir Malevich's seminal 'Black Square' and its impact on the development of abstract art. By superimposing his 'Digital Suprematism - Geometric Abstraction (DSGA)' pieces onto the iconic square and then reducing opacity, Chambers effectively creates a layered dialogue between the past and present, foundation and innovation.
The act of allowing 'Black Square' to "bleed-through" is a powerful symbolic gesture. It acknowledges Malevich's work as the foundational bedrock upon
which later abstract and modern art forms, including Chambers' own DSGA project, are built. This isn't simply a reproduction of 'Black Square'; rather, it's a deliberate act of contextualization, placing the digital abstractions within a historical lineage. Visually, the project is engaging. The interplay between the geometric forms and colors of the DSGA pieces and the underlying black square creates a dynamic tension. The ghost-like presence of the 'Black Square' serves as a constant reminder of its historical weight and its enduring influence, even as the DSGA elements seek to push the boundaries of abstraction in a digital medium. The reduced opacity isn't just an aesthetic choice; it's a conceptual one, suggesting the subtle but pervasive influence of Malevich's vision.
Importantly, the project acknowledges Malevich's own definition of 'Black Square' not as an empty void but as a representation of "the feeling of
nonobjectivity." By allowing this feeling to permeate the DSGA pieces, Chambers invites viewers to consider the enduring significance of this concept in contemporary digital art. He forces us to ask: how does the quest for non-objectivity manifest itself in the digital age, and how is it informed by the pioneers of abstract art?
The DSGA 'Black Square' Bleed-through project is a successful and thought-provoking endeavor. It's a visually compelling exploration of the relationship
between artistic legacy and digital innovation, prompting viewers to consider the enduring influence of 'Black Square' and its continued relevance in the development of abstract art. Ultimately, Chambers' project serves as a testament to the power of art to engage in a dialogue across time, connecting past innovations with contemporary explorations.